Nocturnes opening photos

moon maiden, 30in x 30in

quick shout out to everyone for the great turnout last night! gonna post some better in-show photos a bit later but wanted to get these up – here’s some point-and-shoot shots taken as we were closin the joint…

(click on images to enlarge)

love hearing what people are drawn to – one of the sleepers, the rough unframed charcoal (above, lower left and below, enlarged) was far and away the one mentioned most by painters…maybe not surprisingly, that group were the ones to pick up on the ryder and rothko influences lurking beneath the hopper/wyeth/rembrandt patina…

started framing the some of the larger food works in traditional gold and silver. bit of a break from the clean black or blonde wood used exclusively over the past few years, but the response was overwhelmingly positive-

evening shower, 30in x 40in

mr jif is going home as a kitchen companion to the fluff featured in the August issue of American Art collector – 3 of the 4 works in the magazine had red dots.

peanut butter, 20in x 24in

we ended the late night full of wine and great food (homemade lobsta mac!) watching the huge storm surge break on charlestown beach under the distant glow of block island.

thank you all – couldnt’ve pulled it together without amazing support from family and friends. doubleextra thankyou to gallery owners gilly and renee, for saintly patience and faith. it pulled me thru when the show was looking like it might not happen. thanks guys!

this show’s for you, mom-
xo

cattle call

dusk, 30in x 40in; evening quartet, 24in x 48in; moon maiden, 30in x 30in
(click to enlarge)

works on deck for the upcoming solo show at the charlestown gallery. feelin like the brush is finally catchin up to the charcoal.

omen, 30in x 40in, acrylic on canvas

mandarins

mandarin bowl, 8in x 8in, acrylic on panel
(image courtesy charlestown gallery)

mandarins for you, mom-

mandarin, 4in x 6in, acrylic on panel
(image courtesy bayview gallery)

fruits – summer

cherries, 6in x 6in, acrylic on panel
(image courtesy powers gallery)

berries, 4in x 6in, acrylic on panel
(image courtesy powers gallery)

margarita for mom

margarita, 8in x 10in, acrylic on panel
(image courtesy powers gallery)

This margarita’s for mom. it’s been a ridiculously trying summer and all of the thoughts sent out to the family are greatly appreciated. thank you.

quick studio update-

the margarita, this pina colada and a buncha new smaller food works are currently in the “summer with a twist” group show at the powers gallery.

pina colada, 8in x 10in, acrylic on panel
(image courtesy powers gallery)

2 small food paintings were featured in a gorgeous kitchen spread this past june in RI Monthly magazine. love seeing ‘em at home.

(image courtesy RI Monthly

just weeks away from my solo show at the Charlestown Gallery – postcards are out (image here)  – next post will have more about it, but for now:

a shout out to scott for getting this blog back online. your well-timed visit to the studio helped pull the works out of the figurative fire. sometime the best medicine is a blunt WTF from an old friend – even better if that friend’s been along since the skinny & charcoal-covered collge days, when “having a voice and showing in galleries someday” seemed more like crazy conversational byproduct of an allnighter than future probability. MUCHAS GRACIAS,  hermano.

News From Kitchen Stadium

4 crazy months since my last blog post…hard to know even where to begin so i’m jumping in with the latest…

first up -

The RI Commission on Women invited me to show the food paintings for an event in conjunction with the RI Community Food Bank’s Women Ending Hunger Program.

it’s my first solo show in a large space – the atrium gallery in providence’s capitol hill/state house complex – and it’s looking like i’ll have 45-50 pieces to fill er up.

i’ve always said that a well-made painting should be able to hold its own on a wall, regardless of the size. now it’s time to put the theory to the test.

the reception this coming monday, april 6th from 4-6pm. (more info at the bottom)

among the rhody-inspired works in the show is this 12×12 in bag o burgers, still wet and shot in what my better half likes to call ‘kitchen stadium.’

it’s literally our kitchen – i’ve moved my studio back to the home base to save both time and money – and have been paintin up a storm.

the rest of the studio is around the corner, and the proximity to the big butcher block, fridge, and controlled lighting (that lil white remote is a dimmer) has paid off in works more ambitious in both setup and scale.

above, the initial blockin on a 20×24in bag o’ bread courtesy of an amazing local baker – great guy, food tv challenge winner, published author…and well, that’s another story.

and after…if you look closely, that’s the fridge to the right, complete with some finger paintings and doggie meds on top. 4 more bread-inspired works will make the show as well.

last, but certainly not least – i was recently honored with the 2009 RISCA Fellowship in Painting Merit Award. congrats to winner and former studio mate Sean Thomas – additional 2009 recipients can be found here.
–

Will Paint for Food
reception Monday, April 6, 2009 from 4-6pm
show thru april 14 at the Atrium, One Capitol Hill, Providence RI 02903
401-222-3880
http://www.arts.ri.gov/about/directions.php

Bite-Sized Holiday Update

vanilla extract, bubble gum, ea 3.5in—3.5in, acrylic on panel

Little Pictures at the Providence Art Club saw the debut of the new bite-sized food paintings i’ve been working on.

the reception was great – someone remarked, “i’m enjoying that your paintings are getting looser and more expressive, especially at that small scale.” couldn’t ask for a better comment on my work. (well, that, and this.)

hunt and peck, 18in—36in, acrylic on canvas
(image courtesy charlestown gallery)

the chickens feel just as loose at 10x the scale. they’re among the works that will be on display this saturday at Charlestown Gallery’s Hoiday Show. (They’re also the only gallery outside of my studio that currently carries the large food paintings.)

More Rhody Holiday show info:

my Holiday Studio Sale is tomorrow Dec 6th – Bulls, food paintings large & small, and some new nocturnes. for hrs and a sneak preview, click here

Little Pictures Providence art club hrs and directions click here.

Last but certainly not least – finally pleased to announce that Dryden Gallery (aka Prov Picture Frame) is carrying work. They’ve been behind me since Sale no 1 a few years back and will be my home base in providence going forward. Just stocked em with a selection of bulls, food paintings and new charcoals. Great folks, top-notch framing, and, maybe best of all, are part of the expansion of Will Paint for Food.

Halloween treats – candy corn, lucius malfoy, stephen king

Halloween is here, bringing a bone-chilling 31 degrees to New England this morning, along with ghosts and vampires and werewolves and, of course, candy corn.

candy corn, 4×6in, acrylic on panel -available-

this year’s also brought another volume in author Gregory Maguire’s delicious Wicked Cycle – great way to (temporarily) escape a news season filled with stories of a fear-mongering witch from alaska, a ghastly economy, and the spectre of election tricks, not treats.

if you click on the photo above, the candy corn above can just be seen to the far right, along with bigger ‘food’ paintings (pumpkin, 12×12) and much bigger works (like the burger, 2ftx2ft) during our open studio last month.

as always, it was a treat to see friends and extended family – and the overwhelmingly positive response to the the first color ‘farm’ works (for scale, my dog andy is on a 2fx2ft canvas) and newer bulls (below: strange II, 30×40 and cherry bomb, 2ftx2ft) made my leap to larger, brushier formats worthwhile.

the biggest surprise was spotting actor Jason Isaacs, aka Lucius malfoy. The actor was truly gracious – warm and polite when recognized and – after mentioning that his wife told him to bring some “iconic Rhode Island artwork” back to london – he bought a frozen lemonade print. Warm fuzzies all around – a piece of my art going overseas, 100% of the purchase going to the RI Community Food Bank, and some imaginary ad campaigns full of possibilities (Join a Death Eater in the fight against hunger… or This year, Michael Caffee is helping Rhode Islanders…) i’m still smiling.

cannoli, 4×6in, acrylic on panel

The chocolate-chip covered cannoli is one of 10 works that have been up at Susan Maasch Fine Art in Portland, Maine the last few months. It’s especially sweet to show in Maine – home to old friends, family, and memories – like the field study below…

maine field study ca. 1993, 9×12in, oil on board NFS

…home to longtime artistic heroes the Wyeth clan, Winslow Homer, and Stephen King (the work below, inspired by It, was pretty much my first stab at painting with brushes and canvas in high school.)

Pennywise ca. 1988, 24×24in, NFS

…but perhaps the best reason is that i’m showing alongside longtime friend scott conary. He’s got a post about it here. (although i’ll admit it’s pretty spiffy to be showing alongside william bailey, eric aho and titus welliver, too.)

maine cheese, 6×6in, acrylic on panel

This cheese (Eleanor Buttercup from Hahn’s End in Phippsburg, ME – picked for us by Kris at K.Horton specialty foods) came home along with a few other maine treats, including killer bread from Micucci’s Ital grocery & a whoopie pie from Two Fat Cats Bakery. wish we could’ve brought home a trunkload of fries (best-ever) from duckfat.

most of the above were all one one killer food block, topped off by the fine folks at Rabelais books. (everything you ever wanted and more ’bout cookbooks & food & farm culture – even out-of-print- in one bookstore) Inspired into taking a road trip? this site is worth a look.
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this weekend is also traditionally a time to honor the departed…so a last nod, and some words to live by, from Paul Newman:

“We are such spendthrifts with our lives,” Mr. Newman once told a reporter. “The trick of living is to slip on and off the planet with the least fuss you can muster. I’m not running for sainthood. I just happen to think that in life we need to be a little like the farmer, who puts back into the soil what he takes out.” (from the NY Times obit)

Supersize Me: big works, big news…

…or what i did on my summer vacation.

we’re celebrating our 3rd annual Open Studio this weekend. (has it really been that long? as Chazz Michael Michaels sez, it’s mind-bottling.) if you’re interested in coming out, we’d love to see ya – info’s at the bottom of the post.

end-of-summer recap:

FINALLY ventured into making dining room-sized works – the 24×24″ pieces below were among those featured alongside Andrea Kantrowitz this past august at the charlestown gallery. her work crackles with an intensity – almost too much – akin to Ivan Albright’s.

owners gilly & renee surprised me with a limited run of one of the popular works, with 100% of proceeds going to the community food bank – $300.00 generated to date. thanks guys!

the philly pretzel was a prize catch from a road trip to see family earlier this summer, and served as inspiration for the work that’s part of a group show at the courtyard gallery (click for additional image and info) this month.

soft pretzel, 5×7in, acrylic on panel courtyard gallery

gallery owners rudi & frances are kindly are donating 15% of ALL sales to community food banks. (additional special thanks to roland and jackie for the unexpected long-term loan of the copper pot – lotta wiping down and repainting – sorry it took so long to get it right!)

copper pot, 10×14in, acrylic on panel courtyard gallery

the nocturnes below are part of a solo show on display thru the end of October at Jonathan Edwards Winery. (for scale, the small one on the right is 20×20″…apologies for the poor photo!)

it’s our favorite vineyard in the region, and i was psyched to be invited to show during the harvest. dynamite wines and a beautiful setting make it worth a picnic run while the weather’s still with us.

one last shoutout – i’ve donated a work on paper to the as220 print lottery. there’s a lotta good stuff going on all month, culminating in the lottery on the 27th.

and one last heartfelt thankyou – to everyone that dropped me a line or stopped by the blog, studio, or openings this year. many thanks for the continued support.
sk
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Open Studio info:

friday Sept 19th 7-9
sat/sun from 12-5.
560 Mineral Spring Ave #319**
Pawtucket Rhode Island 02860
(bet. Lonsdale and Smithfield aves, opp. Lorraine fabric)

there will be shuttles running between the 9 participating mills this year. click here for more info.

**please note the new room address – if you’ve been to the studio previously, we’re in the same building, but at the opposite end on the top floor. take the main staircase to the top, make a right, and go to the end of the hall.

Weekend Update:Best of RI, new bulls.

Newsflash #1 – Rhode Island Monthly’s annual “best of” issue hits the streets this week, & the food paintings are included as a 2008 Editors’ Pick. i’m blown away – and speechless. the link to the complete writeup is here.

Newsflash #2 – for the first time in….ohh…3 years, maybe? there are some new bull paintings available – just in the nick of time for the flora & fauna opening at the charlestown gallery this weekend.

it’s meant some late late nights (driving by the 560 mill at 2am-ish and wondering about the heavenly chorale coming from somewhere above? it was Górecki’s Symphony No. 3.) really feel like the food works paved the way, & am looking forward to seeing what happens next with em. here’s a sneek peek:

strange & thunderhead, ea 30×40in, acrylic on canvas

the gallery currently has 5 bull paintings & a selection of charcoals in addition to the food works.

Flora & Fauna
reception Sat Aug 2 5:30-7:30
Charlestown Gallery
2183 Matunuck Schoolhouse Rd
Charlestown, RI 02813
401-364-0120